Visual analysis Essay Example | Topics and Well Written Essays - 750 words - 1

Visual analysis - Essay grammatical caseThe following analysis examines these three aspects of the poster in turn the representation of the dramatic content of the film, the alliance to film advertising conventions, and the contention that it is a classic film. At first sight, the most striking judge of the poster is the complex image in the center. The face of a woman is shown with eyes closed and rima oris open. This temporary blindness is one of the ways in which the film underlines female victimization (Diffrient 80). The red lip rouge and open mouth convey a high level of arousal, which could be interpreted in several(prenominal) ways, including sexualized excitement, business concern or shouting. The womans hands are in a rigid, fully stretched target which conveys extreme stress, as one hand protects her head and the other appears to reach out as if take hold for help. Images of birds are overlaid on the female face, in various shades of dumb and grey. The beaks of th e birds all focus on the woman, giving the impression that she is under attack. There is an implicit appeal to the viewer of such an image to whole step sympathy for the woman, who is clearly distressed and afraid of the birds. It is also advance notice that the genre of the film is horror, because of the fear that is visible in the female figure. In contrast to this dramatic image in the center of the poster, thither is a small image of the same female actor in the right hand watershed at the bottom. This feature recalls the proportions and style of a passport photograph, with few colors and a full-face tippytoe showing Tippi Hedrens clearly features. The caption A Fascinating New Personality is intended to sum mystery to the image, but the main visual message is a very obvious likeness to the Hollywood star Marilyn Monroe, who had died in tragic circumstances just a year before, in 1962 (Taraborrelli 470.). The iconic grandness of Monroe in American culture of this period has been attributed to her status as a contradiction in name (Rollyson 14), something between a victim and a goddess, or an innocent child and a knowing sex-symbol. The vocalise and introducing Tippi Hedren alongside the image adds to the impression that the poster is trying to persuade the viewer that this actress has emerged to take on the iconic role that Monroes death has left vacant. The format is portrait, and not landscape, which gives the poster the look of a set aside or page, rather than the widescreen shape of a movie. This format gives the poster an intellectual aura, and this is underlined further by the black and white portrait of the Alfred Hitchcock at the top of the poster, and the provision of a quotation from the director, along with a duplicate of his signature, in different typefaces. It is very unusual to see a movie poster with the directors photograph on it, since most movies are more concerned with advertising the leading actors in the film, who are likely t o draw in their fans. It is also unusual to see an endorsement for any artistic behave from the creator himself or herself. The subtle argument being presented here is that this is an exceptional director whose work is of turn out merit and whose opinion is worthy of attention. The directors distinctive, rather heavy face, his dark suit and his or so arrogant side-ways look are indicators of a sense of superiority and formality. The